The Automatic Orchestra is an audio installation exploring algorithmic composition and networked music. A common set of rules distributed among a network of MIDI devices opens up a melodic space orchestrated by automatic logic and the artist's vision. The perpetual interaction among the devices and the interpretation of encoded musical messages blurs the distinctiveness between structured composition and performative improvisation.
Overall, the setup consists of 12 pods. One pod consists of a microcontroller mounted on a custom PCB board which is attached to a set of speakers. All pods are wired together to form a circular network transmitting musical data. Therefore the data travels through each unit before it is passed on to its neighbor. The synthesis of the audio parameters depends on the application running on each pod. A shared framework provides a synchronized basis for the exchange of encoded musical messages but each pod will interpret and alter the data based on its individual algorithmic rule set.
Still Image from Video: Prototyping area
Derived from the CFO BODYSEQ board the compact PROTOSEQ units represent the foundation of the installation. The PROTOSEQ is build around a Teensy 3.1 board providing three jack connectors. Two of the jacks facilitate the MIDI communication via a MIDI IN and a MIDI OUT port. Each MIDI OUT port is connected to the MIDI IN port of its neighbor and so on until all boards are connected. The remaining jack is connected to the speaker to amplify the generated sounds.
Still Image from Video: MIDI interface
The framework used in the installation is a modified version of the CHEAP, FAT and OPEN (CFO) library which consists of two components: one for audio synthesis and the other is a customized implementation of the MIDI protocol. For the Automatic Orchestra the MIDI protocol was extended by several messages that reflect the network setup of the installation. Prior to the realisation of the framework several software prototypes to simulate the pod's network logic and behavior were developed in Processing and Java.
Simulation of relaying a signal in a circular network in Processing
Simulation of a ring-echo that detects the presence of a visitor
Random distributions of pods to simulate alternate spatial arrangements
Setup in the Atrium of Kinoteka Building at Resonate 2015
Automatic Orchestra performance at Resonate 2015 conference
The project was a collaborative effort between students of the University of the Arts, Bremen and Copenhagen Institute of Interaction Design headed by Dennis P. Paul and Jakob Bak. Participating students were:
- David Beermann
- Hendrik Heuer
- Irena Kukric
- Julian Hespenheide
- Thomas Hoheisel